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Mac

The writer has 13 posts

On a Terrible Killer Clown Story

We get a typical setting: kids and babysitter home alone at night, parents gone. Check. There is a spooky, scary clown statue that gives off bad vibes. Clowns and scary statues? Again. cliche, but check. Then, we reach the height of tension: the phone call. The parents don’t know what clown statue she’s referring to. More tension. The father says, “We don’t have a clown statue.” Boom. A good ending point. The tension isn’t released, the audience is left with suspense. Interesting structure? No. But acceptable and semi-effective for what it is. However, the story goes on.

Night is Short, Walk on Girl: Simply Joy

I find that films that are highly stylized can easily alienate their audiences. Their stylized elements push the audience away and keep them at a distance. Because of how apparently different the film looks, feels, or sounds, there is a struggle to keep attention on anything but that, making it difficult to fall into the film’s world and pace. For Night is Short, Walk on Girl, the exact opposite is true. Both the art and animation are highly stylized, yet the very apparent and distinct style actually serves to welcome and comfort the audience.

Primer: Complexity for Confusion

All too often, it feels as though time-travel movies are confusing for the sake of being confusing. A complex timeline not for the sake of thematic complexity, but instead so that people will tell their friends about how confusing the movie is. Understanding and dissecting the film become a pseudo-scientific endeavor, rather than an artistic one…. Primer is, pun not intended, a prime example of this.